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By Joanna Thompson, Hakai Magazine From January to May each year, Qeqertarsuaq Tunua, a large bay on Greenland’s west coast, teems with plankton. Baleen whales come to feast on the bounty, and in 2010, two bowhead whales entered the bay to gorge. As the pair came within 100 kilometers (about 60 miles) of one another, they were visually out of range, but could likely still hear one another. That’s when something extraordinary happened: They began to synchronize their dives. Researchers had never scientifically documented this behavior before, and the observation offers potential proof for a 53-year-old theory. Baleen whales are often thought of as solitary — islands unto themselves. However, some scientists believe they travel in diffuse herds, communicating over hundreds of kilometers. Legendary biologist Roger Payne and oceanographer Douglas Webb first floated the concept of acoustic herd theory (or should it be heard theory?) in 1971. This story is from Hakai Magazine, an online publication about science and society in coastal ecosystems, and is republished here with permission. Payne, who helped discover and record humpback whale song a few years prior, was struck by the fact that many toothed cetaceans such as killer whales and dolphins are highly social and move together in tight-knit family groups. These bands provide safety from predators and allow the animals to raise their young communally. Payne speculated that the larger baleen whales might travel in groups, too, but on a broader geographic scale. And perhaps the behemoths signaled acoustically to keep in touch across vast distances. Webb and Payne’s original paper on acoustic herd theory demonstrated that fin whale vocalizations — low-frequency sounds that carry long distances — could theoretically travel an astonishing 700 kilometers (over 400 miles) in certain areas of the ocean. However, it’s been easier to show that a whale is making a call than to prove the recipient is a fellow cetacean hundreds of kilometers away, says Susan Parks, a behavioral ecologist at Syracuse University in New York who studies animal acoustics.

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29502 - Posted: 10.02.2024

By Katarina Zimmer If we could talk with whales, should we? When scientists in Alaska recently used pre-recorded whale sounds to engage in a 20-minute back-and-forth with a local humpback whale, some hailed it as the first “conversation” with the cetaceans. But the interaction between an underwater speaker mounted on the research boat and the whale, which was described last year in the journal PeerJ, also stimulated a broader discussion around the ethics of communicating with other species. After the whale circled the boat for a while, the puffs from her blowhole sounded wheezier than usual, suggesting to the scientists aboard that she was aroused in some way—perhaps curious, frustrated, or bored. Nevertheless, Twain—as scientists had nicknamed her—continued to respond to the speaker’s calls until they stopped. Twain called back three more times, but the speaker on the boat had fallen silent. She swam away. Scientists have used recorded calls to study animal behavior and communication for decades. But new efforts—and technology such as artificial intelligence—are striving not just to deafly mimic animal communication, but also to more deeply understand it. And while the potential extension of this research that has most captured public excitement—producing our own coherent whale sounds and meaningfully communicating with them—is still firmly in the realm of science fiction, this kind of research might just bring us a small step closer. The work to decipher whale vocalizations was inspired by the research on humpback whale calls by the biologist Roger Payne and played an important role in protecting the species. In the 1960s, Payne discovered that male humpbacks sing—songs so intricate and powerful it was hard to imagine they have no deeper meaning. His album of humpback whale songs became an anthem to the “Save the Whales” movement and helped motivate the creation of the Marine Mammal Protection Act in 1972 in the United States. © 2024 NautilusNext Inc.,

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29501 - Posted: 10.02.2024

By Emily Anthes The common marmoset is a certified chatterbox. The small, South American monkey uses an array of chirps, whistles and trills to defend its territory, flag the discovery of food, warn of impending danger and find family members hidden by dense forest foliage. Marmosets also use distinct calls to address different individuals, in much the same way that people use names, new research suggests. The findings make them the first nonhuman primates known to use name-like vocal labels for individuals. Until this year, only humans, dolphins and parrots were known to use names when communicating. In June, however, scientists reported that African elephants appeared to use names, too; researchers made the discovery by using artificial intelligence-powered software to detect subtle patterns in the elephants’ low-pitched rumbles. In the new study, which was published in Science last month, a different team of researchers also used A.I. to uncover name-like labels hiding in the calls of common marmosets. The discovery, which is part of a burgeoning scientific effort to use sophisticated computational tools to decode animal communication, could help shed light on the origins of language. And it raises the possibility that name-bestowing behavior may be more widespread in the animal kingdom than scientists once assumed. “I think what it’s telling us is that it’s likely that animals actually have names for each other a lot more than maybe we ever conceived,” said George Wittemyer, a conservation biologist at Colorado State University who led the recent elephant study but was not involved in the marmoset research. “We just never were really looking properly.” Marmosets are highly social, forming long-term bonds with their mates and raising their offspring cooperatively in small family groups. They produce high-pitched, whistle-like “phee calls” to communicate with other marmosets who might be hidden among the treetops. “They start to exchange phee calls when they lose eyesight of each other,” said David Omer, a neuroscientist at the Hebrew University of Jerusalem who led the new study. © 2024 The New York Times Company

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29480 - Posted: 09.14.2024

By Darren Incorvaia Imagine being a male firefly when suddenly the telltale flashing of a female catches your eye. Enthralled, you speed toward love’s embrace — only to fly headfirst into a spider’s web. That flashy female was in fact another male firefly, himself trapped in the web, and the spider may have manipulated his light beacon to lure you in. This high-stakes drama plays out nightly in the Jiangxia District of Wuhan, China. There, researchers have found that male fireflies caught in the webs of the orb-weaver spider Araneus ventricosus flash their light signals more like females do, which leads other males to get snagged in the same web. And weirdly, the spiders might be making them do this, almost like hunters blowing a duck call to attract prey. “The idea that a spider can manipulate the signaling of a prey species is very intriguing,” said Dinesh Rao, a spider biologist at the University of Veracruz in Mexico. “They show clearly that a trapped firefly in the web attracts more fireflies.” Dr. Rao was not involved in the research, but served as a peer reviewer of the paper published Monday in the journal Current Biology. Xinhua Fu, a zoologist at Huazhong Agricultural University in Wuhan, was in the field surveying firefly diversity when he first noticed that male fireflies seemed to end up ensnared in orb-weaver spider webs more often than females. Wondering if the spiders were somehow specifically attracting males, he teamed up with Daiqin Li and Shichang Zhang, animal behavior experts from nearby Hubei University, to get to the bottom of this sticky mystery. Working near paddy fields and ponds, the researchers observed the flashing of trapped male fireflies and saw that it more closely resembled that of females than of free-flying males. Trapped males flashed using only one of their two bioluminescent lantern organs, and they made one flash at a time rather than multiple flashes in quick succession, the same lighting signals females send when trying to attract males. © 2024 The New York Times Company

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases
Related chapters from MM:Chapter 15: Language and Lateralization; Chapter 8: Hormones and Sex
Link ID: 29443 - Posted: 08.21.2024

Elephants call out to each other using individual names that they invent for their fellow pachyderms, according to a new study. While dolphins and parrots have been observed addressing each other by mimicking the sound of others from their species, elephants are the first non-human animals known to use names that do not involve imitation, the researchers suggested. For the new study published on Monday, a team of international researchers used an artificial intelligence algorithm to analyse the calls of two wild herds of African savanna elephants in Kenya. The research “not only shows that elephants use specific vocalisations for each individual, but that they recognise and react to a call addressed to them while ignoring those addressed to others”, the lead study author, Michael Pardo, said. The video player is currently playing an ad. “This indicates that elephants can determine whether a call was intended for them just by hearing the call, even when out of its original context,” the behavioural ecologist at Colorado State University said in a statement. The researchers sifted through elephant “rumbles” recorded at Kenya’s Samburu national reserve and Amboseli national park between 1986 and 2022. Using a machine-learning algorithm, they identified 469 distinct calls, which included 101 elephants issuing a call and 117 receiving one. Elephants make a wide range of sounds, from loud trumpeting to rumbles so low they cannot be heard by the human ear. Names were not always used in the elephant calls. But when names were called out, it was often over a long distance, and when adults were addressing young elephants. Adults were also more likely to use names than calves, suggesting it could take years to learn this particular talent. The most common call was “a harmonically rich, low-frequency sound”, according to the study in the journal Nature Ecology & Evolution. © 2024 Guardian News & Media Limited

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29352 - Posted: 06.11.2024

By Amorina Kingdon Like most humans, I assumed that sound didn’t work well in water. After all, Jacques Cousteau himself called the ocean the “silent world.” I thought, beyond whales, aquatic animals must not use sound much. How wonderfully wrong I was. In water a sound wave travels four and a half times faster, and loses less energy, than in air. It moves farther and faster and carries information better. In the ocean, water exists in layers and swirling masses of slightly different densities, depending on depth, temperature, and saltiness. The physics-astute reader will know that the density of the medium in which sound travels influences its speed. So, as sound waves spread through the sea, their speed changes, causing complex reflection or refraction and bending of the sound waves into “ducts” and “channels.” Under the right circumstances, these ducts and channels can carry sound waves hundreds and even thousands of kilometers. What about other sensory phenomena? Touch and taste work about the same in water as in air. But the chemicals that tend to carry scent move slower in water than in air. And water absorbs light very easily, greatly diminishing visibility. Even away from murky coastal waters, in the clearest seas, light vanishes below several hundred meters and visibility below several dozen. So sound is often the best, if not only, way for ocean and freshwater creatures to signal friends, detect enemies, and monitor the world underwater. And there is much to monitor: Earthquakes, mudslides, and volcanic activity rumble through the oceans, beyond a human’s hearing range. Ice cracks, booms, and scrapes the seafloor. Waves hiss and roar. Raindrops plink. If you listen carefully, you can tell wind speed, rainfall, even drop size, by listening to the ocean as a storm passes. Even snowfall makes a sound. © 2024 NautilusNext Inc.,

Related chapters from BN: Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases; Chapter 19: Language and Lateralization
Related chapters from MM:Chapter 8: Hormones and Sex; Chapter 15: Language and Lateralization
Link ID: 29341 - Posted: 06.04.2024

By Sumeet Kulkarni As spring turns to summer in the United States, warming conditions have started to summon enormous numbers of red-eyed periodical cicadas out of their holes in the soil across the east of the country. This year sees an exceptionally rare joint emergence of two cicada broods: one that surfaces every 13 years and another with a 17-year cycle. They last emerged together in 1803, when Thomas Jefferson was US president. This year, billions or even trillions of cicadas from these two broods — each including multiple species of the genus Magicicada — are expected to swarm forests, fields and urban neighbourhoods. To answer readers’ cicada questions, Nature sought help from three researchers. Katie Dana is an entomologist affiliated with the Illinois Natural History Survey at the University of Illinois at Urbana-Champaign. John Lill is an insect ecologist at George Washington University in Washington DC. Fatima Husain is a cognitive neuroscientist at the University of Illinois at Urbana-Champaign. Their answers have been edited for length and clarity. Why do periodical cicadas have red eyes? JL: We’re not really sure. We do know that cicadas’ eyes turn red in the winter before the insects come out. The whole coloration pattern in periodical cicadas is very bright: red eyes, black and orange wings. They’re quite different from the annual cicadas, which are green and black, and more camouflaged. It’s a bit of an enigma why the periodical ones are so brightly coloured, given that it just makes them more obvious to predators. There are no associated defences with being brightly coloured — it kind of flies in the face of what we know about bright coloration in a lot of other animals, where usually it’s some kind of signal for toxicity. There also exist mutants with brown, orange, golden or even blue eyes. People hunt for blue-eyed ones; it’s like trying to find a four-leaf clover. © 2024 Springer Nature Limited

Related chapters from BN: Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases; Chapter 19: Language and Lateralization
Related chapters from MM:Chapter 8: Hormones and Sex; Chapter 15: Language and Lateralization
Link ID: 29339 - Posted: 06.04.2024

By Elizabeth Anne Brown The beluga whale wears its heart on its sleeve — or rather, its forehead. Researchers have created a visual encyclopedia of the different expressions that belugas (Delphinapterus leucas) in captivity seem to make with their highly mobile “melon,” a squishy deposit of fat on the forehead that helps direct sound waves for echolocation. Using muscles and connective tissue, belugas can extend the melon forward until it juts over their lips like the bill of a cap; mush it down until it’s flattened against their skull; lift it vertically to create an impressive fleshy top hat; and shake it with such force that it jiggles like Jell-O. “If that doesn’t scream ‘pay attention to me,’ I don’t know what does,” says animal behaviorist Justin Richard of the University of Rhode Island in Kingston. “It’s like watching a peacock spread their feathers.” Before Richard became a scientist, he spent a decade as a beluga trainer at the Mystic Aquarium in Connecticut, working closely with the enigmatic animals. “Even as a trainer, I knew the shapes meant something,” Richard says. “But nobody had been able to put together enough observations to make sense of it.” Over the course of a year, from 2014 to 2015, Richard and colleagues recorded interactions between four belugas at the Mystic Aquarium. Analyzing the footage revealed that the belugas make five distinct melon shapes the scientists dubbed flat, lift, press, push and shake. The belugas sported an average of nearly two shapes per minute during social interaction, the team reports March 2 in Animal Cognition. © Society for Science & the Public 2000–2024

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases
Related chapters from MM:Chapter 15: Language and Lateralization; Chapter 8: Hormones and Sex
Link ID: 29291 - Posted: 05.03.2024

By Claire Cameron On Aug. 19, 2021, a humpback whale named Twain whupped back. Specifically, Twain made a series of humpback whale calls known as “whups” in response to playback recordings of whups from a boat of researchers off the coast of Alaska. The whale and the playback exchanged calls 36 times. On the boat was naturalist Fred Sharpe of the Alaska Whale Foundation, who has been studying humpbacks for over two decades, and animal behavior researcher Brenda McCowan, a professor at the University of California, Davis. The exchange was groundbreaking, Sharpe says, because it brought two linguistic beings—humans and humpback whales—together. “You start getting the sense that there’s this mutual sense of being heard.” In their 2023 published results, McGowan, Sharpe, and their coauthors are careful not to characterize their exchange with Twain as a conversation. They write, “Twain was actively engaged in a type of vocal coordination” with the playback recordings. To the paper’s authors, the interspecies exchange could be a model for perhaps something even more remarkable: an exchange with an extraterrestrial intelligence. Sharpe and McGowan are members of Whale SETI, a team of scientists at the SETI Institute, which has been scanning the skies for decades, listening for signals that may be indicative of extraterrestrial life. The Whale SETI team seeks to show that animal communication, and particularly, complex animal vocalizations like those of humpback whales, can provide scientists with a model to help detect and decipher a message from an extraterrestrial intelligence. And, while they’ve been trying to communicate with whales for years, this latest reported encounter was the first time the whales talked back. It all might sound far-fetched. But then again, Laurance Doyle, an astrophysicist who founded the Whale SETI team and has been part of the SETI Institute since 1987, is accustomed to being doubted by the mainstream science community. © 2024 NautilusNext Inc.,

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29276 - Posted: 04.30.2024

By Darren Incorvaia Be it an arched eyebrow, a shaken head or a raised finger, humans wordlessly communicate complex ideas through gestures every day. This ability is rare in the animal kingdom, having been observed only in primates (SN: 8/10/10). Scientists now might be able to add a feathered friend to the club. Researchers have observed Japanese tits making what they call an “after you” gesture: A bird flutters its wings, cuing its mate to enter the nest first. The finding, reported in the March 25 Current Biology, “shows that Japanese tits not only use wing fluttering as a symbolic gesture, but also in a complex social context involving a sender, receiver and a specific goal, much like how humans communicate,” says biologist Toshitaka Suzuki of the University of Tokyo. Suzuki has been listening in on the calls of Japanese tits (Parus minor) for more than 17 years. During his extensive time in the field, he noticed that Japanese tits bringing food to the nest would sometimes perch on a branch and flutter their wings. At that point, their partners would enter the nest with the flutterer close behind. “This led me to investigate whether this behavior fulfills the criteria of gestures,” Suzuki says. Suzuki and Norimasa Sugita, a researcher at Tokyo’s National Museum of Nature and Science, observed eight mated pairs make 321 trips to their nests. A pattern quickly emerged: Females fluttered their wings far more often than males, with six females shaking it up while only one male did. Females almost always entered the nest first — unless they fluttered their wings. Then the males went first. © Society for Science & the Public 2000–2024.

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29213 - Posted: 03.26.2024

By Anthony Ham What is the meaning of a cat’s meow that grows louder and louder? Or your pet’s sudden flip from softly purring as you stroke its back to biting your hand? It turns out these misunderstood moments with your cat may be more common than not. A new study by French researchers, published last month in the journal Applied Animal Behaviour Science, found that people were significantly worse at reading the cues of an unhappy cat (nearly one third got it wrong) than those of a contented cat (closer to 10 percent). The study also suggested that a cat’s meows and other vocalizations are greatly misinterpreted and that people should consider both vocal and visual cues to try to determine what’s going on with their pets. The researchers drew these findings from the answers of 630 online participants; respondents were volunteers recruited through advertisements on social media. Each watched 24 videos of differing cat behaviors. One third depicted only vocal communication, another third just visual cues, and the remainder involved both. “Some studies have focused on how humans understand cat vocalizations,” said Charlotte de Mouzon, lead author of the study and a cat behavior expert at the Université Paris Nanterre. “Other studies studied how people understand cats’ visual cues. But studying both has never before been studied in human-cat communication.” Cats display a wide range of visual signals: tails swishing side to side, or raised high in the air; rubbing and curling around our legs; crouching; flattening ears or widening eyes. Their vocals can range from seductive to threatening: meowing, purring, growling, hissing and caterwauling. At last count, kittens were known to use nine different forms of vocalization, while adult cats uttered 16. That we could better understand what a cat wants by using visual and vocal cues may seem obvious. But we know far less than we think we do. © 2024 The New York Times Compan

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 29169 - Posted: 02.29.2024

By Jude Coleman When it comes to tail wagging among dogs, some questions still hound researchers. We know that domesticated dogs (Canis familiaris) use their tails to communicate — with other dogs as well as humans — and even what various types of wags mean, researchers note in a new review of the scientific literature. But we don’t know why dogs seem to wag more than other canines or even how much of it is under their control, ethologist Silvia Leonetti and colleagues report January 17 in Biology Letters. “Among all possible animal behavior that humans experience in everyday life, domestic dog tail wagging is one of the most common,” says Leonetti, who is now at the University of Turin in Italy. “But a lot of dog behavior remains a scientific enigma.” So Leonetti and her colleagues pored through previous studies to figure out what elements of tail wagging are understood and which remain mysterious. They also hypothesized about the behavior’s origins: Perhaps tail wagging placates some human need for rhythm, the researchers suggest, or maybe the behavior is a genetic tagalong, a trait tied to others that humans bred into domesticated dogs. “People think wagging tail equals happy dog. But it’s actually a lot more complicated than that,” says Emily Bray, an expert in canine cognition at the University of Arizona in Tucson who was not involved with the work. Understanding why dogs wag their tails is important partly from an animal welfare perspective, she says, as it could help dog owners read their pups’ cues better. One main thing that researchers know about tail wagging is that it’s used predominantly for communication instead of locomotion, like a whale, or swatting away bugs, like a horse. Wagging also means different things depending on how the tail is wagged, such as its height or side-to-side movement. © Society for Science & the Public 2000–2024.

Related chapters from BN: Chapter 15: Emotions, Aggression, and Stress; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 11: Emotions, Aggression, and Stress
Link ID: 29103 - Posted: 01.18.2024

A new study shows male zebra finches must sing every day to keep their vocal muscles in shape. Females prefer the songs of males that did their daily vocal workout. Sponsor Message ARI SHAPIRO, HOST: Why do songbirds sing so much? Well, a new study suggests they have to to stay in shape. Here's NPR's Ari Daniel. ARI DANIEL, BYLINE: A few years ago, I was out at dawn in South Carolina low country, a mix of swamp and trees draped in Spanish moss. (SOUNDBITE OF BIRDS CHIRPING) DANIEL: The sound of birdsong filled the air. It's the same in lots of places. Once the light of day switches on, songbirds launch their serenade. IRIS ADAM: I mean, why birds sing is relatively well-answered. DANIEL: Iris Adam is a behavioral neuroscientist at the University of Southern Denmark. ADAM: For many songbirds, males sing to impress a female and attract them as mate. And also, birds sing to defend their territory. DANIEL: But Adam says these reasons don't explain why songbirds sing so darn much. ADAM: There's an insane drive to sing. DANIEL: For some, it's hours every day. That's a lot of energy. Plus, singing can be dangerous. ADAM: As soon as you sing, you reveal yourself - like, where you are, that you even exist, where your territory is. All of that immediately is out in the open for predators, for everybody. DANIEL: Why take that risk? Adam wondered whether the answer might lie in the muscles that produce birdsong and if those muscles require regular exercise. So she designed a series of experiments on zebra finches, little Australian songbirds with striped heads and a bloom of orange on their cheeks. One of Adam's first experiments involved taking males and severing the connection between their brains and their singing muscles. ADAM: Already after two days, they had lost some of their performance. And after three weeks, they were back to the same level when they were juveniles and never had sung before. DANIEL: Next, she left the finches intact but prevented them from singing for a week by keeping them in the dark almost around the clock. ADAM: The first two or three days, it's quite easy. But the longer the experiment goes, the more they are like, I need to sing. And so then you need to tell them, like, stop. You can't sing. DANIEL: After a week, the birds' singing muscles lost half their strength. But does that impact what the resulting song sounds like? Here's a male before the seven days of darkness. © 2023 npr

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 17: Learning and Memory
Related chapters from MM:Chapter 15: Language and Lateralization; Chapter 13: Memory and Learning
Link ID: 29042 - Posted: 12.13.2023

By Liz Fuller-Wright, The latest exploration of music in the natural world is taking place in Mala Murthy ’s lab at the Princeton Neuroscience Institute, where Murthy and her research group have used neural imaging, optogenetics, motion capture, modeling and artificial intelligence to pinpoint precisely where and how a fruit fly’s brain toggles between its standard solo and its mating serenade. Their research appears in the current issue of the journal Nature. “For me it is very rewarding that, in a team of exceptional scientists coming from different backgrounds, we joined forces and methodologies to figure out the key characteristics of a neural circuit that can explain a complex behavior — the patterning of courtship song,” said Frederic Römschied, first author on this paper and a former postdoctoral fellow in Murthy’s lab. He is now a group leader at the European Neuroscience Institute in Göttingen, Germany. “It might be a surprise to discover that the fruit flies buzzing around your banana can sing, but it’s more than music, it’s communication,” said Murthy, the Karol and Marnie Marcin ’96 Professor and the director of the Princeton Neuroscience Institute. “It’s a conversation, with a back and forth. He sings, and she slows down, and she turns, and then he sings more. He’s constantly assessing her behavior to decide exactly how to sing. They’re exchanging information in this way. Unlike a songbird, belting out his song from his perch, he tunes everything into what she’s doing. It’s a dialogue.” It might be a surprise to discover that the fruit flies buzzing around your banana can sing, but it’s more than music, it’s communication. By studying how these tiny brains work, researchers hope to develop insights that will prove useful in the larger and more complex brains that are millions of times harder to study. In particular, Murthy’s team is trying to determine how the brain decides what behavior is appropriate in which context. © 2023 The Trustees of Princeton University

Related chapters from BN: Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases; Chapter 19: Language and Lateralization
Related chapters from MM:Chapter 8: Hormones and Sex; Chapter 15: Language and Lateralization
Link ID: 28959 - Posted: 10.14.2023

By Jori Lewis The squat abandoned concrete structure may have been a water tower when this tract of land in the grasslands of Mozambique was a cotton factory. Now it served an entirely different purpose: Housing a bat colony. To climb through the building’s low opening, bat researcher Césaria Huó and I had to battle a swarm of biting tsetse flies and clear away a layer of leaves and vines. My eyes quickly adjusted to the low light, but my nose, even behind a mask, couldn’t adjust to the smell of hundreds of bats and layers of bat guano—a fetid reek of urea with fishy, spicy overtones. But Huó had a different reaction. “I don’t mind the smell now,” she said. After several months of monitoring bat colonies in the Gorongosa National Park area as a master’s student in the park’s conservation biology program, Huó said she almost likes it. “Now, when I smell it, I know there are bats here.” Since we arrived at the tower during the daylight hours, I had expected the nocturnal mammals to be asleep. Instead, they were shaking their wings, flying from one wall or spot on the ceiling to another, swooping sometimes a bit too close to me for my comfort. But the bats didn’t care about me; they were cruising for mates. It was mating season, and we had lucked out to see their mating performances. Huó pointed out that some females were inspecting the males, checking out their wing flapping prowess. But Huó and her adviser, the polymath entomologist Piotr Naskrecki, did not bring me to this colony to view the bats’ seductive dances and their feats of flight, since those behaviors are already known to scientists. We were here to decipher what the bats were saying while doing them. Huó and Naskrecki had set up cameras and audio recorders the night before to learn more about these bats and try to understand the nature of the calls they use, listening for signs of meaning. © 2023 NautilusNext Inc., All rights reserved.

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 28895 - Posted: 09.07.2023

By Tanvi Dutta Gupta The Arctic Ocean is a noisy place. Creatures of the deep have learned to live with the cacophony of creaking ice sheets and breaking icebergs, but humanmade sources of noise from ships and oil and gas infrastructure are altering that natural submarine soundscape. Now, a research team has found that even subtle underwater noise pollution can cause narwhals to make shallower dives and cut their hunts short. The research, published today in Science Advances, uncovers “some really great information on a species we know very little about,” says Ari Friedlaender, an ocean ecologist at the University of California, Santa Cruz, not involved in the study. Knowing how the whales react to these noises could help conservationists “act proactively” to protect the animals in their Arctic home where warming waters already threaten their lifestyles. Narwhals—with their long, unicornlike horns extending from their faces—live in one of the most extreme environments in the world, explains Outi Tervo, an ecologist at the Greenland Institute of Natural Resources and the study’s first author. Each narwhal returns in summer to the same small fjord where it was born in order to feed on fish, squid, and shrimp. As humans increasingly encroach on Arctic waters, though, scientists, conservationists, and Inuit communities have worried about how development and ship traffic will affect the whales. Many of Greenland’s Inuit communities rely on the narwhals as a culturally important food source. When Greenland’s government started to auction new permits for offshore oil exploration in 2011, Tervo and colleagues decided to examine whether the noise pollution associated with such development affected narwhals. For instance, boats exploring the sea floor tow instruments called airguns, which blast air a few meters below the vessels to sonically suss out the presence of cavities that may contain oil and gas. Those pulses can be the “loudest sound put in the ocean by humans,” says study co-author Susanna Blackwell, a biologist with Greeneridge Sciences.

Related chapters from BN: Chapter 9: Hearing, Balance, Taste, and Smell; Chapter 19: Language and Lateralization
Related chapters from MM:Chapter 6: Hearing, Balance, Taste, and Smell; Chapter 15: Language and Lateralization
Link ID: 28858 - Posted: 07.27.2023

By Marlowe Starling When a bird sings, you may think you’re hearing music. But are the melodies it’s making really music? Or is what we’re hearing merely a string of lilting calls that appeals to the human ear? Birdsong has inspired musicians from Bob Marley to Mozart and perhaps as far back as the first hunter-gatherers who banged out a beat. And a growing body of research is showing that the affinity human musicians feel toward birdsong has a strong scientific basis. Scientists are understanding more about avian species’ ability to learn, interpret and produce songs much like our own. Just like humans, birds learn songs from each other and practice to perfect them. And just as human speech is distinct from human music, bird calls, which serve as warnings and other forms of direct communication, differ from birdsong. While researchers are still debating the functions of birdsong, studies show that it is structurally similar to our own tunes. So, are birds making music? That depends on what you mean. “I’m not sure we can or want to define music,” said Ofer Tchernichovski, a zoologist and psychologist at the City University of New York who studies birdsong. Where you draw the line between music and mere noise is arbitrary, said Emily Doolittle, a zoomusicologist and composer at the Royal Conservatoire of Scotland. The difference between a human baby’s babbling versus a toddler’s humming might seem more distinct than that of a hatchling’s cry for food and a maturing bird’s practicing of a melody, she added. Wherever we draw the line, birdsong and human song share striking similarities. How birds build songs Existing research points to one main conclusion: Birdsong is structured like human music. Songbirds change their tempo (speed), pitch (how high or low they sing) and timbre (tone) to sing tunes that resemble our own melodies. © 2023 The New York Times Company

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 28817 - Posted: 06.07.2023

By Susan Milius In a castaway test setup, groups of young honeybees figuring out how to forage on their own start waggle dancing spontaneously — but badly. Waggling matters. A honeybee’s rump-shimmy runs and turning loops encode clues that help her colony mates fly to food she has found, sometimes kilometers away. However, five colonies in the new test had no older sisters or half-sisters around as role models for getting the dance moves right. Still, dances improved in some ways as the youngsters wiggled and looped day after day, reports behavioral ecologist James Nieh of the University of California, San Diego. But when waggling the clues for distance information, Apis mellifera without role models never did match the timing and coding in normal colonies where young bees practiced with older foragers before doing the main waggle themselves. The youngsters-only colonies thus show that social learning, or the lack of it, matters for communicating by dance among honeybees, Nieh and an international team of colleagues say in the March 10 Science. Bee waggle dancing, a sort of language, turns out to be both innate and learned, like songbird or human communication. The dance may appear simple in a diagram, but executing it on expanses of honeycomb cells gets challenging. Bees are “running forward at over one body length per second in the pitch black trying to keep the correct angle, surrounded by hundreds of bees that are crowding them,” Nieh says. Beekeepers and biologists know that some kinds of bees can learn from others of their kind — some bumblebees even tried soccer (SN: 2/23/17). But when it comes to waggle dancing, “I think people have assumed it’s genetic,” Nieh says. That would make this fancy footwork more like the chatty but innate communications of cuttlefish color change, for instance. The lab bee-castaway experiments instead show a nonhuman example of “social learning for sophisticated communication,” Nieh says. © Society for Science & the Public 2000–2023.

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 28695 - Posted: 03.11.2023

By Sam Jones Dolphins, pilot whales and sperm whales use echolocation clicks to hunt and subdue their prey. But the animals, known as toothed whales, also produce other sounds for social communication, like grunts and high-pitched whistles. For decades, scientists speculated that something in the nasal cavity was responsible for this range of sounds, but the mechanics were unclear. Now, researchers have uncovered how structures in the nose, called phonic lips, allow toothed whales to produce sounds at different registers, similar to the way the human voice functions, all while conserving air deep beneath the ocean’s surface. And the animals use the vocal fry register for echolocation. Yes, that vocal fryyyy. The work was published in the journal Science on Thursday. Bottlenose Sounds A sequence of vocal registers from a bottlenose dolphin: Echolocation clicks made with vocal fry; the bursts of standard vocalization; and whistles. Studying the structures responsible for whale sound production has been no small task. Over the last few decades, “there was a lot of circumstantial evidence — people filming things with X-rays or triangulating sound with different hydrophones,” said Coen P.H. Elemans, a biologist at the University of Southern Denmark. Taking a new approach, Dr. Elemans and colleagues inserted endoscopes into the nasal cavities of trained Atlantic bottlenose dolphins and harbor porpoises to get high-speed footage during sound production. They found that sound was indeed being produced in the nose. But to confirm that the phonic lips were involved — and to see if their movement was driven by muscles or by airflow — they created an experimental setup with deceased (beached or bycatch) harbor porpoises, filming the phonic lips as air was pushed through the nasal complex. They saw that the phonic lips would briefly separate and then collide back together, causing a tissue vibration that would release sound into the surrounding water. But relying on air-driven sound production would not seem to be the best idea if your food is in the murky deep. “One thousand meters down, you have 1 percent of the air you had at the surface,” said Peter Madsen, a zoophysiologist at Aarhus University in Denmark, who has been tagging toothed whales for decades and is a co-author of the study. “To me, it’s always been super provocative to see a sperm whale or beaked whale or pilot whale dive deep, clicking happily, while having the knowledge in the back of my head that they’re supposed to use air for this.” © 2023 The New York Times Company

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 6: Evolution of the Brain and Behavior
Related chapters from MM:Chapter 15: Language and Lateralization
Link ID: 28686 - Posted: 03.04.2023

By McKenzie Prillaman A newfound species of frog doesn’t ribbit. In fact, it doesn’t make any sound at all. Many frogs have unusual characteristics, from turning translucent to being clumsy jumpers (SN: 12/22/22; 6/15/22). The recently discovered amphibian lacks a voice. It joins a group of seven other voiceless frog species called spiny-throated reed frogs that reside in East Africa. Instead of croaking, the spines on male frogs’ throats might help their female counterparts recognize potential mates via touch, sort of like braille, says conservation biologist Lucinda Lawson of the University of Cincinnati. Lawson and colleagues spotted the little frog, only about 25 millimeters long, in 2019 while surveying wildlife in Tanzania’s Ukaguru Mountains. The team immediately recognized the animal, now named Hyperolius ukaguruensis, as a spiny-throated reed frog. But something seemed off. “It [was] the wrong color,” Lawson says. Most frogs from this group are green and silver, but this one was gold and brown. Some quick measurements to check if the peculiar frog simply had trivial color variations or if it could be a new species revealed that its eyes were smaller than other spiny-throated reed frogs. The researchers agreed: “Let’s do some genetics,” Lawson says. They ran DNA tests on two frogs that looked like they belonged to the suspected new species, as well as 10 individuals belonging to known spiny-throated species. Comparing the golden frogs’ genetic makeup with that of the others revealed the oddballs were genetically distinct, Lawson and colleagues report February 2 in PLOS ONE. © Society for Science & the Public 2000–2023.

Related chapters from BN: Chapter 19: Language and Lateralization; Chapter 12: Sex: Evolutionary, Hormonal, and Neural Bases
Related chapters from MM:Chapter 15: Language and Lateralization; Chapter 8: Hormones and Sex
Link ID: 28655 - Posted: 02.04.2023